How did you get started with script reading?
I had been writing scripts for a while and was looking for writing jobs. I saw a post that mentioned getting paid to read scripts. Since reading was paying better than writing, I applied. I read a sample script and wrote a report on what worked and what didn't. I've worked with Coverfly, the Austin Film Festival, and other contests and coverage services ever since. I've also written reports for clients evaluating their scripts and guiding them through the process.
What types of scripts do you enjoy reading?
I enjoy reading scripts that have strong, relatable characters who go on a journey that lets the viewer relate to their struggle. While this description may sound like I only prefer heavy, dreary dramas, it can also fit with an outrageous comedy or a slam-bang action ride or a tense murder mystery.
What makes a good script?
Alfred Hitchcock once said, "To make a great film, you need three things: the script, the script, and the script." To make a great script, you need three things: strong characters, interesting characters, and compelling characters.
Where do you see writers struggle the most in their scripts?
Thin characters. The protagonist comes across as too perfect, the antagonist reads as too “villain-y”, and the supporting characters may as well not have names other than “Best Friend” or “Love Interest”. Rookie writers often get so invested in their ideas that they forget that audiences don't connect with ideas until they connect with the characters.
How do you know a script is ready to be sent out to the professionals in the industry?
Find the harshest, most dismissive, most honest audience available: a sullen teenager.
If a writer can get a teenager to read (or listen to) the script and get a “not bad” from them, that's worth a hundred “recommend” ratings from a professional reader.
What was the best script you've read?
One of the most memorable scripts I read involved a tough FBI agent. He had most of the usual cliché character traits: great at his job but bad at being a family man. On one mission, he has to go undercover as a stand-up comic. Only one problem: he has crippling stage fright. This script gave an example of how to use standard character tropes and defy them at the same time.
Have you had any projects made/produced yet? If so, which ones?
I've had a few short films produced. My first feature was optioned late last year and should go into pre-production soon.
Do you prefer television or movies? Why?
I've always liked movies over TV. TV is an everyday thing that you watch in your living room (or on your phone). Movies are an event. You go to the movies. You go to the theater, get your popcorn and soda, sit in a comfy chair, and watch the story unfold on a screen the size of a three-story building with music and sound effects that blast you through your chair.
Are you currently working on any scripts?
I'm taking time off from writing to focus on my teaching and consulting. When I find the time, I've been working on another feature inspired by true events. It's about a musician who struggles to save the club where he got his start from a greedy land developer who wants to mow it down.
What's some important advice you think writers should hear right now?
I would tell them that I have some good news and some bad news. The bad news is that, if you had a finished script, today is one of the worst times to try to break into the industry. The good news is that, if you have something that still needs work, today is one of the best times to get it into shape and get it ready from when the market turns around.
Also feel free to leave a little bio about yourself and any links to socials or website.
I'm working on an online screenwriting course.
I have a free 5-day course starting on St. Patrick's Day (17 March).
You can find out more by following me on Instagram @geraldehanks.
You can also check out my Skool site at skool.com/storyintoscreenplay